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This first example looks at ways to enhance landscape photography using layers. Landscapes are hard to get right in-camera, because the range of tones in a landscape is often too great to properly expose both the sky and the foreground. Skies are often overexposed, while foregrounds tend toward underexposure. The human eye can differentiate among a much wider range of tones than your camera, and the result of that incompatibility can be frustrating; the camera just doesn t see what you see. Luckily, Photoshop can help you in a number of ways, so that you can produce images that are closer to what your eyes can see. The photo in Figure 15.1 is a good example. Compositionally, it s pleasant enough, with good foreground detail and that big expanse of sky.

Cascading Style Sheets (CSS) continue to dominate Web design and Dreamweaver CS5 continues the parade of improvements seen over the last number of releases. In this latest version, the basic CSS starting points get a significant overhaul, it s easier than ever to uncover the basic CSS building blocks in Live View, and additional functionality has been added to the CSS Styles panel for better debugging. The CSS-based layouts, introduced in Dreamweaver CS4, were a real hit with beginners. Not only did they provide a pre-made starting point for the most common Web page layouts, but, thanks to the comments inserted by creator and CSS guru Stephanie Sullivan, they helped to explain the CSS code s purpose. To make them more approachable, the set of starter pages available by choosing File New has been completely reworked and simplified. The less-often used designs have been eliminated and those that remain are constructed with simpler CSS selectors. Instead of the somewhat overwhelming .twoColElsRtHdr #sidebar1, a more direct syntax is employed, i.e., .sidebar1. Simple navigation has been added, using a Web standards compliant unordered list technique, and in a refreshing decision the designs have been lightly colored (see Figure A-3). Happily, the detailed comments remain and continue to offer terrific insight into the often-complex world of CSS.

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You can paint on an adjustment layer s layer mask, or edit its vector mask, to control which areas of your image are affected by the adjustment. Find out more about this in the section Masking Adjustment Layers toward the end of this chapter.

for the increment previously considered in (8.80) thus plays an important role. From (8.90), (8.93) and the stochastic independence of kf(0) from the increments dWt of the Wiener process, we obtain (8.94) which, for increasing T , converges exponentially fast to the correct diffusion coefficient l c ~ T / c .The same limit for the diffusion coefficient is obtained from the alternative expression (8.91) for large T (see Exercise 200), (8.95) For finding the error bars in simulations, it is useful to look at the respective variances (see Exercise 201),

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Mixed Gaussian and uniform noise. We now consider the case where the noise w ( i ) is a mixture of Gaussian and uniform distributions (e.g., a mixture of Gaussian system noise and uniformly distributed roundoff errors). In the simulations we generate v(i) as the sum of two Gaussian and uniform random variables with variance ratio 1 to 3. Figure 2 1.3 shows the ratio of the minimum achievable EMSE of the LMS and LMMN algorithms versus 6 for different values of the system noise variance o .We see that in this case, the LMMN .algorithm has the best tracking performance.

It is also crucial to remember that the company s tone at the top extends beyond traditional boundaries by setting standards for business partners, agents, investors, customers, suppliers the company s entire extended value chain So, what is this tone at the top and how does a company create an appropriate one Let s begin by looking at two key characteristics of a good tone at the top 1 The company has a culture and a work environment that promotes open communication, consultation and ethical behavior 2 The senior executives walk the talk and lead by example when it comes to ethical behavior.

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Columnar reports generally display one or more records per page, but they do so vertically. Columnar reports display data very much as a data-entry form does, but they re used strictly for viewing data and not for entering data. Figure 37-2 shows part of a columnar report (named Products) in Print Preview.

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