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The name of the tag with which you want to associate this child. Even if calling by CFMODULE, use CF_ notation. If multiple occurrences of tagName are in this tag s parent hierarchy, you can use instanceNumber to tell GetBaseTagData() how many levels to skip before getting tag data. By default, this argument is 1, meaning that it retrieves the closest ancestor.

GetBaseTagList()

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ACID Pro s Multi-Tap Delay window, pictured in Figure 12-14, gives you precise control over up to eight independent delays.

GetBaseTagList()

IsCustomFunction()

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Returns Yes if functionName represents a user-defined function or one created by using CFFUNCTION; returns No otherwise.

IsCustomFunction( functionName )

WriteOutput()

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The upper portion of the window lets you control the input gain, allowing you to attenuate the signal before processing It also has Dry Out and Wet Out controls to balance the delayed effect with the unprocessed signal The modulation (Mod) parameters allow you to vary the delay times This can create a chorus-like effect (discussed shortly) The Feedback parameter can transform the delay into an echo, although to achieve rhythmic echoes would take a bit of math and may be easier to achieve by other means The Number Of Taps defines how many independently delayed signals there are The Low-Pass check box and frequency slider can filter the delays, cutting out some of the high frequencies Often, a multi-tap delay is used to create the illusion of space, with the delayed signals simulating reflections or echoes of the sound from walls or other surfaces.

Returns Yes. Writes string to the page. Used within CFSCRIPT to write content to the page without needing to interrupt the CFSCRIPT block. Essentially, WriteOutput() is the equivalent of CFOUTPUT within a CFSCRIPT block.

CFML-based alternative to WriteOutput()

Fig. 1.9 Dependence of pH on the buffer composition according to the Henderson-Hasselbalch equation: (1) acidic buffer (Eq. 1.4.26); (2) basic buffer. Calculation for K'A = K'B = 1(T4, s = 0.1 mol dm 3

Creates an XML document object, given well-formed XML. ColdFusion processes the tag content and creates an XML object out of it. The tag content cannot contain the < xml > header.

If YES, CFXML treats tags with different case names as different types of elements. Defaults to NO.

Low frequencies travel farther than high frequencies, so by the time a sound wave has traveled to a distant surface and back to the listener, chances are that the high frequencies will be attenuated more than the low frequencies Including a low-pass filter in the delay allows you to simulate this effect The bottom half of the Multi-Tap Delay window allows you to set the parameters for each of the independent delays You can control the gain, pan, and delay amount of each delay here To edit each delay signal, click the corresponding number next to Current Tap The amplitude and pan of each delay, including any feedback, is depicted in the graph You can change the time window of the graph with the Graph Resolution drop-down menu.

Fig. 1.10 Dependence of the buffering capacity ft on the pH of an acid buffer. Calculation according to Eqs (1.4.27) for K'A = 10"4, s = 0.01 mol dm 3

IsXmlDoc()

IsXmlDoc( object)

IsXMLElem()

concentration of added strong acid or base in the solution, which is necessary for a given change of pH (Fig. 1.10). On differentiation of (1.4.26) we obtain dfr dpH 10 (1.4.27)

IsXMLElem( object)

IsXMLRoot()

You can use the multi-tap delay to create stereo width from a mono signal, and to create chorus-like and reverb-like effects, although dedicated choruses and reverbs may do the job more elegantly Use this effect with caution in mashup production, as it can muddy a signal quickly..

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