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this awareness, along with my self-esteem in a world with a huge variety of competing worldviews, was likely an issue that concerned me Contemplating all this has made me realize that one of my goals in life has been fame It has not always been conscious, and I have not done a very good job at achieving it But as an unconscious goal it has been a deeplyseated driver in my brain I have not been interested in money (or hardly, anyway) or in personal possessions But fame, yes And it traces back to a personal sounding at least as fathomable as my memory with that book about IQs Why would I be interested in fame Could it lead to having money To having girlfriends Possibly it would have these practical functions.

Quoted from Winkler, Cinema and the Fall of Rome, 150. Cf. Winkler, Cinema and the Fall of Rome, 150. 25 On these mail-clad horsemen see Mariusz Mielczarek, Cataphracti and Clibanarii: Studies on the Heavy Armoured Cavalry of the Ancient World (L dz: O cyna Maukowa, 1993), with illustrations. 26 In a lm made with so much care it is rather clumsy that the envoys address Livius as Parthius. It should be Parthicus, meaning Conqueror of the Parthians.

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But I now feel clearly that I was using it as a way of grasping at immortality in the face of obvious mortality Those high-IQ guys took hold of my mind as I gazed at their mugs in the book And, to compound the problem caused by my desire for fame, I have a worldview that conflicts with the urge for fame the view that I gained later, in my twenties and reinforced many times since a view about how to live, namely, that striving for fame is worthless Remembering the intensity with which I gazed longingly at those famous faces with the high IQs, I have realized, however, that despite subsequently taking up the slogan that fame is worthless, down deep the quest for fame still motivates me This clear, recent realization has deflated much of my quest.

Torres, Marimar. The Spanish Table. Garden City, N.Y.: Doubleday, 1986. Tsuji, Shizuo. Japanese Cooking: A Simple Art.Tokyo: Kodansha, 1980.

The Weld button enables you to weld two or more vertices into one vertex. To use this feature, move the vertices close to one another, drag an outline over them to select them, and then click the Weld button. You can tell whether the weld was successful by looking at the number of vertices selected at the bottom of the Selection rollout. If the weld was unsuccessful, increase the Weld Threshold specified by the spinner and try again. The Weld Target button lets you select a vertex and drag and drop it on top of another vertex. If the target vertex is within the number of pixels specified by the Target value, the vertices are welded into one vertex. To exit Weld Target mode, click the Target button again or rightclick in the viewport. Figure 17-7 shows two inverted sloping patches that have been combined. The resolution of the patch on the right is twice that of the patch on the left. The Bind button was used to attach the center vertex to the edge of the other patch. Notice that the seam between the two patches is smooth.

In the days following my contemplation of the memory and seeing how it formed the basis for current motivations, I was mildly depressed I walked the streets haunted by this visceral desire for fame, which I had dredged up from my unconscious I told friends, almost with embarrassment, that I had discovered that I want to be famous (Bless one friend, Marty Hoffert When I told him he just quipped, What s wrong with.

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