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Between all the different Lucida styles, the capital heights, x-heights, and main stem weights are coordinated. Lucida makes it easy for users to achieve variety and harmony by mixing and matching different fonts in the same text and page. The designed coordination of so many different styles means that, when different Lucida fonts are used together, the effect is lively and interesting but without the confusion of randomly mingled and uncoordinated fonts. NOTE: Lucida Sans Demibold (which has identical outlines to Lucida Grande Bold but with tighter kerning on numerals) is used in Apple s Mac OS X operating system, as well as many programs, including Front Row. A fact not widely recognized is that the icons, symbols, arrows, asterisks, and geometric glyphs in Microsoft s Wingdings fonts were originally designed as Lucida icons, arrows, and stars, so the characters harmonize with Lucida Sans and Lucida Bright designs. Those three Lucida symbol fonts were purchased by Microsoft, who remapped the keyboard layouts and changed the names to Wingdings, but the symbols still harmonize with Lucida fonts. Finally, the directory of FontShuffle is set in Lucida Sans, Lucida Serif, Lucida Typewriter, Lucida Handwriting, and Lucida Blackletter. Only the last category, Display, could not be served by Lucida, because no typical display version is available (i.e., a version with shadows, flourishes, or other decoration). We ve chosen FF Bokka Shadow instead. It embodies perfectly the sixth class representing decorative headline fonts.

You can also touch the info button to launch the Settings & Info menu. Doing so brings up a page that lets you choose the font size, link the app to your Facebook and Twitter accounts, and set your default weather location. Tap Done to return to the Home page.

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Interpreting Shark s results is a book in and of itself. Luckily that book has been written. Shark s documentation is excellent, and it s included in Xcode s built-in documentation system. While you re there, read up on Shark s Windowed Time Facility mode, which is a great way to keep your iPhone samples from getting too large. In this case, Shark made very clear where all the snappy had gone. I was spending most of the graphics time drawing the images to make my mask, as shown in Figure 7-8. The first rule of Quartz 2D on the iPhone strikes again: alpha compositing is expensive. There s not a lot you can do about that it costs what it costs. Although you may be tempted to grab the reins from the drawing API and see if you can do a better job, in these situations, it s good to keep a level head.

The New York Times app has one button in the lower-left corner of the article screen for sharing the article. You adjust the font size by using the Tand T+ buttons at the bottom.

When FontShuffle 1.0 came out in December 2008, it was loved from the first minute by professional typographers. However, what they missed became request number one in our update feature list: a typeface name search. We ve included that in version 1.1 directly at the top of the opening screen. The search is equipped with an automatic suggestion feature. So if you are not sure where to find Oranda, Letter Gothic, or Serifa, just type the first letters, and FontShuffle will present possible search results you can jump to directly (see Figure 9-11).

Many high-level frameworks are built on a lower-level framework, at least conceptually. The difference between these frameworks is the difference between dollars and cents, or if you will, bills and coins. Coins can represent odd, specific amounts, like 99 cents, but are impractical for larger transactions. Most of the time, you stick with paper money and use a little coinage to fill in the gaps. So it is with high-level and low-level frameworks. Most of the time, it s better to

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